Thursday, April 29, 2010

Easter 1916 & September 1913

Before you read "Easter 1916," read "September 1913." In responding to these, focus on the different views of/attitudes toward the Irish expressed in these poems, and speculate (having read the intro to Yeats in the book) about what caused this difference.
I feel that “September” could be better set to music than “Innisfree” because of the repetition of that final line. Not overly relevant, just a thought there. “September” is about what Yeats sees as a lack of passion in his countrymen. Here specifically, the speaker speaks of a lack of passion for the arts at first, with the reference to the lack of care the middle class held for the possibility of housing a collection of French impressionist painting when all that was asked for was a place to put them. Later the speaker brings in mention of prominent figures in the fight for Ireland’s freedom. He suggests that if they could go back and “call those exiles as they were” that people would still say they were made mad by “some woman’s yellow hair” lured into their behaviors by means beyond themselves. That is just dismissive and disrespectful of them, which I feel is what is being expressed in this poem. His repeated line, “Romantic Ireland’s dead and gone,//It’s with O’Leary in the grave.” is I feel the simplest sum of this poem.

In “Easter” we see Yeats taking back his previous words. The speaker here talks of knowing these men, these people likely when he held the opinions expressed in “September”, but that they have since changed, “All changed, changed utterly://A terrible beauty is born.” as he repeats here. He again lists of people who fought, most who were executed, then goes on talking about the change. The speaker here sees that the people have changed; they don’t just sit idly by and allow things to happen around it.

You only get the first poem at the end--how does that refrain relate to what the speaker is saying of the Irish in the first?
Better on the second, but how would you characterize the tone of it (especially that "A terrible beauty is born")? See an attitude toward the Uprising developing between "No Second Troy" and this?
If you want a poem that REALLY should be set to music, respond to "Who Goes With Fergus." (actually, though, "Down By the Salley Gardens" is the one poem of Yeats that has most often been set to music).

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